Unit 16 Film & Editing Techniques
Conventions and Techniques
(Move to ...)
Cross-Cutting and Parrallel Editing
Cutaways
Transitions
Master Shot and Coverage, 180 Degree Rule, Match on Action and Shot-Reverse-Shot
Providing and Withholding Information
Editing Rhythm
Montage
Seamless
Continuity
Creating Motivation
▼
Purposes
(Move to ...)
Storytelling
Engaging the Viewer
Development of Drama
Relationship to Genre
Creating Motivation
Combining Shots into Sequences
Creating Pace
▼
Development
(Move to ...)
What is In-Camera Editing
In-Camera Edit
Evaluation of In-Camera Edit
Following the Action
Following the Action Example
Multiple Points of View
Multiple Points of View Example and Analysis
Shot Variation
Shot Variation Example
Manipulation of Diegetic Time and Space
Manipulation of Diegetic Time and Space Example
Film
Video
Film and Video
Analogue and Digital
▼
Friday, 22 April 2016
Transitions
No comments:
Post a Comment
‹
›
Home
View web version
No comments:
Post a Comment